Bowler & Binnie Ltd

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Sale Days

Sat 12th Feb 2022 - 10:30am

Antique, Collectors & Interior Sale
Welcome to our sale...

We have a nice selection of Antique Furniture, Mid century, Fine Art, Fine Porcelain and various silver and gold jewellery on offer.
Viewing will be held on Thursday 10th and 11th Friday 7th, 10am-5pm. Viewing is also available on sale day 9am-10.30am. The auction will take place on Saturday 12th February and kick off at 10.30am

Bidding can be done in person at our new saleroom, by commission bid or online with one of our online platforms.

The new home of the Antique, Collector & Interior sale is: Lynburn Industrial Estate, Halbeath Place, KY11 4JT.

Due to demand and the need to turn our sales around quicker, we are now only sending small items, such as jewellery and non-fragile trinkets. For anything else a mailbox/courier will need to be arranged by yourself. Below are some suggestions to help...

Mail Box- MBE Anne Balfour 01786449543- email: [email protected] Chris Watson Delivery Service T. 07793240435 E. [email protected] W. chriswatsondelivery.co.uk JJCouriers- John- 07947805347 Items2go- 07783 861970 HC Couriers - 07491674691
From start to finish ltd - Roy Brown- [email protected] 07872168211
ADS Alistair Weanie - [email protected] 07768084941
City Couriers- Adam Syme- 0131 447 7295-07740803433
Simon Smith-S.N.S Courier Services- [email protected]


We hope you enjoy our upcoming sale :)

Bowler & Binnie Team.
Filtering Category: FINE ART
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Lot 462

A 17th century oil painting on canvas of Marten Ryckaert, copy after Anthony Van Dyck. [Size 76x63cm]

Comes with original 17th century moulded and gilt frame 110x96cm

(This painting appears to be a variation on the Ryckaert portrait. The approach of painting numerous copies/collaborative working, was a feature of Van Dyck's working practice and was common in the Flemish art world at that time.

The canvas and back panel support, both appear to be from the 17th Century.
The painting has multiple layers of varnish that is cracked and pitted in places, this fragments the light. This, combined with the years of dirt on the surface, makes it quite impossible to see if there is any signature. Furthermore the vibrancy of colour's and depth of the painters work is diminished. The brush strokes are long and blended with a rough bold look. On the back of the canvas it states: attributed Anthony Van Dyck. [Size 76x63cm]

The Portrait of Martin Ryckaert has long been considered one of the finest oil sketches that Van Dyck made for the Iconography, the ambitious series of portrait prints designed by him in the early 1630s. Although individual portraits were in circulation by 1632, the complete edition of 80 engravings by various printmakers was only published in 1645, four years after Van Dyck’s death. Over the course of the years, Van Dyck’s conception of the series seems to have evolved, and so, too, have scholars’ understanding of his intention and working methods. As a result, the preliminary studies for the prints are in the process of being re-examined and some have been reattributed.
The attribution of the tonal models, whether to Van Dyck or his studio, has long been debated. In some cases, there is more than one version, and it has been difficult to distinguish which is the prototype. The largest single group of works is the 39 grisailles.

Bibliography

E. Molinier, Collection du baron Albert Oppenheim: tableaux et objects d'art, Paris 1904, pp. 4-5, cat. no. 10, reproduced plate IX;
A. Marguillier, "Bibliographie" in La Chronique des Arts et de la Curiosité, supplement à la Gazette des Beaux-Arts, 1905, p. 126;
G. Glück, Van Dyck des Meisters Gemälde, Stuttgart/Berlin 1931, p. 555, under cat. no. 332;
W. Bode, Catalogue of the Collection of Baron Albert von Oppenheim, Berlin 1914, cat. no. 11;
W.R. Valentiner and P. Wescher, A Catalogue of Paintings in the Collection of Louis and Mildred Kaplan, New York 1950, cat. no. 9, reproduced;
J. Spicer, "Anthony van Dyck's Iconography: An Overview of its Preparation," in Van Dyck 350, Studies in the History of Art, 46, Washington 1994, p. 362;
New Orleans 1997, pp. 45-48, cat. no. 18, reproduced;
Baltimore 1999, pp. 45-47, cat. no. 17, reproduced (all the above as by Van Dyck,) Sotheby’s Catalogue 39..

Hammer: £1,450